Tag Archives: Back To The Comics

Episode 2: Mr Jim Steranko

Eli finally lets Rocko loose on one of his favorite subjects: Jim Steranko. Join our hosts as they chat and explore the work and impact on one of the most influential, oft imitated but never duplicated artists of all time.

Download from iTunes, or one of the below.

Episode 1: Jack ‘King’ Kirby

Eli and Rocko have circled around the topic of King Kirby more than a few times on previous episodes. This time, they zero in directly on the man who more than any other has defined the superhero genre.

What does his work mean to them? Find out in the debut episode of Season 2. We’re going Back To The Comics.

Download from iTunes, or one of the below.

Free Comic Book Day Special Edition!

We’re back! Just in time for Free Comic Book Day, Rocko and Eli attempt to narrow down which books to jostle for from your local comicbook shop on May the 3rd.

There is also a good deal of Star Wars talk in time for May the 4th, and Captain America: The Winter Soldier gets some high-fives.

Download from iTunes, or one of the below.

Season 1: It’s a wrap

When we conceived the idea of the Back To The Comics podcast, we set ourselves up for short-term success by committing to an initial series of six episodes (a proof-of-concept, if you will). And we made it! Season One is in the can, and in your ears.

It was always with the promise of a second season if people dug what we did, so now we’re off planning Season Two. Let us know what you’d like us to riff on, here, on Facebook or Twitter, and spread the word wherever you can (rate us on iTunes and Stitcher Radio please!). 

Here’s how Season One shaped up:

Episode 1: Back To The Comics

The movies are all fine and good, but what about the source material? It’s time to celebrate a unique art form based on its own merits and go Back To The Comics. Rocko and Eli are here to discuss just why and how much they matter. Listen.

Episode 2: Creators Over Characters

Comic books don’t just magically arrive fully formed every Wednesday down at your local shop. Rocko and Eli explain just how much the makers of the thing define the way the thing is made, as they make a case for Creators Over Characters. Listen.

Episode 3: DC Comics

Home of the best-known comic characters of the 20th century, things seem to have gone sideways at DC Comics in the 21st. Rocko and Eli reminisce, and then go in-depth on what’s happening at DC, and just what’s gone wrong for them under editor-in-chief, Dan Didio. Listen.

Episode 4: Marvel Comics

Although it’s become best known as a movie studio, Marvel Entertainment used to be known as Marvel Comics Group. Even though those panelled-paged pamphlets are now just the smallest runts of a litter of cash cows generating huge revenue, all intellectual property goes Back To The Comics. Rocko and Eli look back over the years of the Stan and Jack House Of Ideas all the way to now, and explore how Marvel Comics continue to innovate today thanks to creators like Fraction and Aja. Listen.

Episode 5: Independent Comics

In the shadow of the “Big Two”, a garden grows, and that’s where some very resiliently powerful work resides. Rocko and Eli explore how the superhero genre came to dominate the form, and just what goes on in that legendary “Indie Comics Scene.” Listen.

Episode 6: Comic Conventions

Comic Convention season is in full swing, and all around the world, fans of all media are packing them out. Is it good or bad for the culture of comics? Rocko and Eli have a thing or three to say about it, here on the final show of the first season. Listen.

Download the whole season from iTunes.

Episode 6: Comic Conventions

Comic Convention season is in full swing, and all around the world, fans of all media are packing them out. Is it good or bad for the culture of comics? Rocko and Eli have a thing or three to say about it, here on the final show of the first season.

Download from iTunes, or one of the below.

Episode 5: Independent Comics

In the shadow of the “Big Two”, a garden grows, and that’s where some very resiliently powerful work resides. Rocko and Eli explore how the superhero genre came to dominate the form, and just what goes on in that legendary “Indie Comics Scene.”

Download from iTunes, or one of the below.

Episode 4: Marvel Comics

Although it’s become best known as a movie studio, Marvel Entertainment used to be known as Marvel Comics Group. Even though those panelled-paged pamphlets are now just the smallest runts of a litter of cash cows generating huge revenue, all intellectual property goes Back To The Comics. Rocko and Eli look back over the years of the Stan and Jack House Of Ideas all the way to now, and explore how Marvel Comics continue to innovate today thanks to creators like Fraction and Aja.

Download from iTunes, or one of the below.

Episode 3: DC Comics

Home of the best-known comic characters of the 20th century, things seem to have gone sideways at DC Comics in the 21st. Rocko and Eli reminisce, and then go in-depth on what’s happening at DC, and just what’s gone wrong for them under editor-in-chief, Dan Didio.

Download from iTunes, or one of the below.

“Read The NEW GODS- As They Really Are!”

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To put it simply, it’s impossible to imagine comic books existing in their modern form without Jack Kirby. it’s hard to fathom what Marvel Comics at their inception and heyday might’ve been like without Jack drawing most of the books, stretching imagination to it’s limits while establishing a house style. During the celebrated Marvel Age of the 1960′s,  Kirby, a workhorse of uncanny proportions, produced more books a month than most creators do in a year today.

So much so that he was often and easily taken for granted, and stretched thin to the point that the work he’s most recognized for ironically isn’t really his best work. As much as I love his 100 issue marathon run on Fantastic Four, his truly epic Thor issues, wall to wall action in Avengers, and all the other Marvel Comics he brought to life and characters he created, it was his seventies leap to DC Comics that brought his truest vision to paper. Foreseeing the trade paperback market of today, Jack knew that comic fandom was strong enough that at some point, the slowly rotting newsprint of floppy comics would give way to more permanent reprint collections, and started writing his New Gods saga for an eventual collection and larger audience one day. Basically a story of generational struggle told with cosmically Shakespearean characters, Jack’s new world was launched initially in the pages of Superman’s Pal Jimmy Olsen, because when the heads at DC told him he could have any book, he only wanted to take on one where it wouldn’t result in anyone else losing their jobs.

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Unfortunately, seventies DC Comics wasn’t the time or place for the innovations in deeply personal and heady comics he was making, and the three books that made up the continuing story were canceled after about a year. Although DC would go on to utilize the characters he created there to great success, especially villainous patriarch Darkseid, the saga Jack intended to tell with a beginning, middle, and end was cut short.

Never one to be discouraged, Jack went ahead and kept on at DC for awhile creating more characters in Demon and Kamandi, but he ended up returning to Marvel and getting carte blanche doing story and art on Captain America, which became a trippy and occasionally existential journey into madness. For the first time in a very long time, Jack was back home, on perhaps the strongest character that he created,  and his imagination really ran wild.

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These were the first Kirby books I saw as a young kid, and I couldn’t completely make heads or tails of them. They’re challenging. You have to sit with them for awhile. In my case, it took decades to fully get my head around them. There’s a certain vibe to the work that he did there, the images are hypnotic and explosive. The sensibility is grandiose, but there’s such a grit to what he did. Like all the best tastes, Kirby in this period is an acquired one.

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In the mid-eighties, Jack returned to DC to finish his New Gods story. The initial issues were reprinted on fine, thick Baxter Paper, the first issue of the compilation series featured the great line “READ THE NEW GODS- AS THEY REALLY ARE!” a number of writers and artists had their way with the New Gods and continue to do so, a fact of commercially owned characters Jack was well aware of, but stung with Darkseid and company, as the plan had been that they would all be Kirby from start to finish.

In Hunger Dogs, the fated final confrontation between Darkseid and his son Orion transpired, and ended in a way that no one had predicted. It’s not a beloved piece of work by most, but it is by me. Jack’s art takes on almost a Picasso like post-impressionistic tone, and the story told is ultimately one about moving past trauma and a thirst for getting even. This wasn’t what most people were expecting or desired, but to me, it was perfect. The final fate of Darkseid was explored in the Super Powers comic, oddly enough a toy line tie-in, told in two miniseries soon after. Usually dismissed offhand as “non-continuity,” it’s hard to imagine Jack gave a damn what the book was called when he drew it, or what editorial’s larger plan for how it related to their other books was.

gayKirby was a huge part of what made Marvel Comics what it was…but as it turns out, my favorite work of his was at DC.

Episode 2: Creators Over Characters

Comic books don’t just magically arrive fully formed every Wednesday down at your local shop. Rocko and Eli explain just how much the makers of the thing define the way the thing is made, as they make a case for Creators Over Characters.

Download from iTunes, or one of the below.